![]() The fluid, biomorphic forms and highly experimental approach to materials like plywood, molded fiberglass and plastics transformed the way Americans furnished their homes. “We want to make the best for the most for the least,” was their mission statement. Plywood and plastics offered a myriad of shapes to experiment with in search of designs that were accessible, affordable and functional for consumers both at work and at home. Time magazine would go on to award it “Best Design of the 20th century,” describing it as “much copied but never bettered.”Ĭharles and Ray Eames for Herman Miller, Aluminum Group Round Table (1960–1969) ![]() After moving to Los Angeles in the 1940s, he and Ray evolved the concept further into a highly sculptural piece first produced by Herman Miller, known as the Eames Chair Wood model. While at Cranbrook, Charles worked with close friend and architect Eero Saarinen to develop a chair made out of a new material: plywood. Design was a way of life for the pair, who wanted their work to improve the quality of life for the masses. The duo met while attending the Cranbrook Academy of Art in Bloomfield Hills, Michigan, and their collaborative partnership continued until Charles’s death in 1978. Husband and wife team Ray and Charles Eames are considered today to be the titans of modern design, recognized not only for their innovative furniture but their contributions to architecture, industrial and graphic design as well as film. (Photo by Los Angeles Examiner/USC Libraries/Corbis via Getty Images) Ray and Charles Eames at an exhibit of Russian toys and books, 1959.
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